The distinction between audience and performance is entirely constructed, and as such is reconfigurable. This scheme proposes an intervention that exploits the verticality and richnessof the interior of St. Anna, to provide a ramped transitional space for audiences viewing aerialacrobatics.
The scheme aims to deliver the following:
• Enhancement of the audience experience and greater interaction with theperformance.
• Greater audience feedback for the performers.
• Greater understanding of the building through the performance.
Aerial acrobatics are an ancient and continually compelling form of performance. The narrative format allows the performers to step away from singular tricks and into a story telling roles through dance, gymnastics and dialogue.
The ramp structure is conceived as performers formed from a nomex fibre honeycomb,suspended using steel saddles.
The divide between the audience and the performer that exists in many conventional theatres denies the opportunity for the audience to become performers in their own right. That is to be active participants in the narrative.
The audience is drawn into the proposed choreographed performance through discussions with acrobatic characters and actors embedded within the audience. The performers are given live feedback, driving specific audience relationships that provide the opportunity forintimate communication of themes.
This project does not address all issues of theatre design but instead proposes an reconfiguring of the audience’s role within acrobatic theatre.
